Mononodes Look Lab Print DCTLs 3.0 is an advanced color grading toolkit for DaVinci Resolve, designed for filmmakers and colorists seeking authentic film aesthetics with full digital control. Inspired by classic Kodak and Fuji film stocks, this DCTL pack emulates the organic tones, rich shadows, and delicate highlights of traditional negative film, allowing professionals to recreate the timeless depth and character of analog cinema.









The MONOLOOK DCTL pack includes three core negative film looks:

250D (Daylight) – A soft and vibrant color profile with beautifully balanced, natural tones, ideal for daylight scenes.

500T (Tungsten) – Designed for low-light environments, this look offers deep, atmospheric hues with cinematic richness.

200T (Tungsten) – A warm, nostalgic tone that adds timeless mystery and classic film mood with strong shadows.

At the heart of this grading suite is LAB DCTL technology, offering precision control over saturation, contrast, and exposure—far beyond what LUTs can achieve. Colorists can shift tones with surgical accuracy while maintaining filmic realism.

Advanced features such as Subtractive Saturation & Density Control allow for increasing saturation without sacrificing tonal depth. As luminance decreases, colors appear richer and more organic—mirroring true analog behavior.

The pack also includes vintage film effects, such as:

Two Strip Technicolor – Emulates the iconic red-green film process used in early cinema.

Bleach Bypass – A gritty, high-contrast, desaturated look popular in dramatic and stylized films.

The Print DCTL module offers fine-tuning tools to perfect your grade. Adjust black levels, highlight roll-off, and color mixing ratios to bring your footage to life with an analogue-inspired finish.